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Fellini based some of the characters on a real prostitute whom he had met while filming Il Bidone. The American musical Sweet Charity and its film adaptation is based on Fellini’s screenplay. Its interest is not so much the conflicts that occur in the life of the heroine as the deep, underlying implications of human pathos that the pattern of her life shows Belle Epoque — Fernando Trueba The Assault — Fons Rademakers A happy, laughing Cabiria Giulietta Masina is standing on a river bank with her current boyfriend and live-in lover, Giorgio Franco Fabrizi.

The Salesman — Asghar Farhadi As her associates mock the Church, Cabiria is drawn to the procession. The expedient unfairness, and brutality of Zampano and the world he represents, will persist. Chicago Sun-Times , film review, 16 August The Assault — Fons Rademakers Nights of Cabiria Italian:

Cabiria is delighted and sells her home and takes out all her money from the bank. The scene involving the good samaritan provides a framework to show people living in city caves and under bridges, but even more touching is the scene where Cabiria turns over the keys of her house to the large and desperately poor family that has purchased it. She has never seen this man before, but she is impressed by his charity toward others. Film critic Roger Ebert reviewed mainly the plot and Fellini’s background: Babette’s Feast — Gabriel Axel Cabiria returns to her small home, but Giorgio has disappeared.

One night, she is outside a fancy nightclub and witnesses a fight between famous movie star, Alberto Lazzari Amedeo Nazzari and his girlfriend, as she dumps him.

When she goes to church with her friends, she prays for a chance to better her life. He makes us see a very specific facet of our lives in them. She is bitter, and when her best friend and neighbor, Wanda Franca Marzi tries to help her get over him, Cabiria shoos her away and remains disgruntled.

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The film that makes me cry: La Strada

Life Is Beautiful — Roberto Benigni Amour — Michael Haneke Giulietta Masina wife Paparazzi Fellini: Nights of Cabiria — Federico Fellini Later, a church procession passes the hangout area for the town prostitutes. Black Orpheus — Marcel Camus Views Read Edit View history. This is the moment for tears; certainly the one that gets me. In spite of just saving her life, she treats them with disdain and starts looking for Giorgio.

They embark on a folktale-like odyssey through a blasted landscape of freighted characters and abstract encounters and symbols. Journey of Hope — Xavier Koller Order by newest oldest recommendations. As the two are finally becoming closer after a rather standoffish few hours, Lazzari’s girlfriend returns and Cabiria is shuffled off to the bathroom, unable to consummate with the movie star.

In what seems to be an inevitable descent, Zampano will survive and Gelsomina will die. The Salesman — Asghar Farhadi It was Masina’s performance in that earlier film that inspired Fellini to make Nights of Cabiria. Rashomon — Akira Kurosawa Z — Costa-Gavras Fellini based some of the characters on a real prostitute whom he had met while filming Il Bidone.

However, during a walk in a wooded area, on a cliff overlooking a lake, [2] Oscar becomes distant and starts acting nervous.

Loading comments… Trouble loading? As the audience laughs, she acts out her desires to be married and live a happy life. Based on a story by Fellini, the film is about a prostitute in Rome who searches for true love in vain.

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Amarcord — Federico Fellini Furious at having been taken advantage of for the audience’s amusement, she leaves in a huff. Inthe film won the Academy award for best film in a foreign language.

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The difference between the glamorous girlfriend, in a mink coatand the short and scruffy Cabiria are stark. Monsieur Vincent — Maurice Cloche As her associates mock the Church, Cabiria is drawn to the procession. Not to be confused with Cabiria. Webarchive template wayback links Use dmy dates from June Articles containing Italian-language text.

Inthe film was re-released, newly restored and with a crucial 7-minute sequence that censors had cut after the premiere. Nights of Cabiria is transitional; it points toward the visual freedom of La Dolce Vita while still remaining attentive to the real world of postwar Rome.

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Suddenly he pushes her into the river and steals her purse which is full of money. The American musical Sweet Charity and its film adaptation is based on Fellini’s screenplay. Bicycle Thieves — Vittorio De Sica Mediterraneo — Gabriele Salvatores Their gestural, expressive acting was more familiar in the silent era than the talkies.

Federico Fellini Romance films Drama films blogposts.

In other projects Wikimedia Commons. Federico Fellini cast an immensely charismatic Anthony Quinn as the belligerent Zampano and his wife, the delicately clowning Giulietta Masina, as the saintly Gelsomina.

But there are two weaknesses in Cabiria.

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