KOCHANKOWIE Z MARONY FILM POLSKI

He was the model for the character of Janek. Her life is slipping through her fingers – no raptures, no new plans, and increasingly forgotten dreams of great love, the kind that’s described in books. There was a saying that if you didn’t have an idea for a script, you should take a short story by Iwaszkiewicz and success was assured. The result is a story of universal love on which no sexual orientation has a monopoly, because it is a feeling addressed not so much to a woman or a man, but to a person. She meets Janek – a patient at a nearby tuberculosis sanatorium. Love in this film is infinite, to the end, in life and death. A tense love triangle develops, where a woman and a man fight for the love of their beloved. Consequently, the lovers don’t care what happens, nor what the world will think.

Love in this film is infinite, to the end, in life and death. Pictures provided by the press service of the film’s distributor, SPI International Polska Love in this film is infinite, to the end, in life and death. The result is a story of universal love on which no sexual orientation has a monopoly, because it is a feeling addressed not so much to a woman or a man, but to a person. Consequently, the lovers don’t care what happens, nor what the world will think. Her life is slipping through her fingers – no raptures, no new plans, and increasingly forgotten dreams of great love, the kind that’s described in books. The story unfolds in a small village. The feeling that engulfs them is wild and condemned to end in tragedy – Janek is terminally ill. The first film, made in , was directed by Jerzy Zarzycki, and Jaroslaw Iwaszkiewicz himself was one of the scriptwriters.

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SERWIS TWORZY

Polwki acting was good: She has made a film whose mood invokes those earlier productions, and those times, taking as her picture’s focus the theme of homosexual love – a topic present in the writer’s output, but until now completely ignored by directors making adaptations of Iwaszkiewicz’s works.

She meets Janek – a patient at a nearby tuberculosis sanatorium.

Love in this film is infinite, to the end, in life and death. Ola’s attitude seems disconnected from life’s reality, having no future, self-destructive. They have the opportunity to touch eternal, absolute love, which builds their world, gives meaning to their lives, is capable of anything. The prose of Iwaszkiewicz, a writer rather forgotten by the young generation, was quite a phenomenon among Polish filmmakers for many years.

The result is a story of universal love on which no sexual orientation has a monopoly, because it is a feeling addressed not so much to a woman or a man, but to a person.

Her life is slipping through her fingers – no raptures, no new plans, and increasingly forgotten dreams of great love, the kind that’s described in books. He was the model for the character of Janek.

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Lovers of Marona (Kochankowie z Marony) – Cineuropa

Village schoolteacher Ola, single, is frustrated and unhappy despite her young age. Janek has a friend, though – Arek. Consequently, the lovers don’t care what happens, nor what the world will think. The story unfolds in a small village.

There was a saying that if you didn’t have an idea for a script, you should take a short story by Iwaszkiewicz and success was assured. A tense love triangle develops, where a woman and a man fight for the love of their beloved.

Pictures provided by the press service of the film’s distributor, SPI International Polska Love in this film is dilm, to the end, in life and death.

The feeling that engulfs them is wild and condemned to end marojy tragedy – Janek is terminally ill. Still, it is a great emotion that changes the rural schoolteacher’s life. The first film, made inwas directed by Jerzy Zarzycki, and Jaroslaw Iwaszkiewicz himself was one of the scriptwriters. Love is their only salvation – also in their struggle with death.

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